![]() If you have any questions about anything covered on this page then feel free to ask them in the comments section below we’ll be happy to help! Why learning more than one scale pattern is beneficial.Four more blues scale fretboard patterns.Read on for a complete blues scale guitar lesson… What you’ll learn You can get a ton of mileage by playing chord tones paired with passing tones, chromatic enclosures and other techniques.On this page you’ll find blues scale guitar TAB, patterns and notation that will allow you to play blues scales all over the guitar neck. This kind of technique is commonplace in jazz, and being able to shift gears between scales/arpeggios mid-phrase is an extremely useful skill.Īnother option is to use chord tones as the basis for your improvising instead of scales. The G altered scale works great in that one bar, so you could play a 2 bar phrase from Bb mixo that slips into G altered. Do you stick to the scale but just avoid the Bb and any other problem notes? It’s certainly an option, but there’s much more to consider.īar 8 is a great place to think about other options beyond Bb scales. Note that G7 has B natural, which poses challenges for strictly improvising with a Bb scale. This is where the “one chord fits all” approach falters. You can use these scales in a traditional (“non-jazz” I guess) 12 bar and they’ll work great the entire time.īut if you look at a typical jazz blues (the image you posted is a good example), the changes almost always contains a few secondary dominants (like the G7 chords in bars 8 & 11) or altered/substitute chords (the E° in bar 6, though that’s a mild example). Very useful, musical and frequently utilized. ![]() You could approach a jazz blues with a single scale like Bb minor penta., Bb mixo, Bb blues. ![]() ![]() This is a great question because there are so many possibilities, as well as pitfalls to be aware of. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |